Before delving further into Christian hymnody, I must thank Jeffrey O'Rourke for pointing out that my quotation from Origen in the last post was taken rather out of context. Origen is defending Christians against charges levelled by a pagan, Celsus, that they have some arcane Christian tongue for secret rituals. So Origen is not describing a particular worship service; rather he is saying that Christians sing and pray to God using their mother tongue - wherever they may be. There is no "Christian tongue"; God hears us no matter what tongue we use. He is delineating a principle, not a practice.
One thing that surprises me with early Christian worship is that singing praises does not appear in the list of things the first believers devoted themselves to in Acts 2:42, namely the apostles' teaching, the breaking of bread, fellowship, and prayers. The First Apology of Justin Martyr, dated c.155, describes a Christian worship service. The emphasis is on ritual (baptism / ablution and Holy Communion), not singing.
This all seems oddly at variance with the Apostle Paul's exhortation to address one another with psalms, hymns and spiritual songs, singing and making melody in your hearts to the Lord [Ephesians 5:19]. A very musical response indeed! As with Origen, the context is primarily the believer's personal devotional life. But not exclusively: "addressing one another" can only mean a context of corporate worship.
We know that Jesus and the Twelve, before they went out to the Mount of Olives, sang a hymn [Mark 14:26]. But what, and how? Many Biblical scholars believe it would have been one of the so-called Hallel series in the Book of Psalms, consisting of Psalms 113 - 118. It was common practice among the Jews to chant these holy songs at the Passover table. Did they sing it responsively, their 'Rabbi' leading and the disciples responding? we shall never know.
In the next post, the early testimony of a Roman official gives us a few clues.
Showing posts with label psalms. Show all posts
Showing posts with label psalms. Show all posts
Thursday, 30 August 2012
Saturday, 11 August 2012
Christians and Hymns, Part 2
Another early Church father who understood the 'why' of hymn-singing was Basil of Caesarea (†379). In his Discourse on Psalm 1, he writes:
The Spirit mixed sweetness of melody with doctrine so that inadvertently we would absorb the benefit of the words through gentleness and ease of hearing. O the wise invention of the teacher who contrives that in our singing we learn what is profitable, and that thereby doctrine is somehow more deeply impressed upon our souls.
The conscious or unconscious absorption of a message, with music as its medium, is a powerful tool. Today's marketing world knows this very well, associating a product with particular mood music. From the 1970s onwards, technology has even allowed "backmasking" - the insertion of a subliminal secret message when a music track is played backwards.
All this was unknown to the first Christians, of course. What they did understand, however, was the need to confess spiritual truth aloud: not just to 'believe in your heart', but also to 'confess with your lips' [Romans 10:9]. Or in Basil's words, to impress doctrine more deeply on their souls.
For this they had a clear and obvious model: the Jews. At first, Christianity was a Jewish sect. The early Christians continued to worship at the Temple and to attend synagogues. It was therefore inevitable that Jewish methods of performing music were incorporated into Christian worship.
In particular, the church continued to use the book of Psalms. Basil again:
Now the prophets teach certain things, the historians and the Law teach other, and Proverbs provides still a different sort of advice, but the Book of Psalms encompasses the benefit of them all. It foretells what is to come and memorializes history; it legislates for life, gives advice on practical matters, and serves in general as a repository of good teachings.
In other words, if it is important to confess God's truth aloud, then how better than to sing scripture. Not only is there no risk of emotionalism or error, but also the addition of music aids the memorising of the words.
How exactly this was done - and what implications that might have for today, I hope to look at next time.
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